El vernisaatge, 10 - L'objecte. Fer bollir l'olla, by Diana Juanpere, Cesc Maymó, Mercè Vila Rigat, Gemma Peiró, JUN 2024
La Repubblica, Ghirriver fotografo a Lilliput, by Michele Smargiassi, Jun 2024
Il giornale dell'arte, L’Italia in Miniatura diventa un libro: dialogo immaginario tra Luigi Ghirri e Ivo Rambaldi, by Rica Cerbarano, Feb 2024
La Repubblica, L'Italia, nel suo piccolo, by Michele Smargiassi, Jul 2022
A3 il formato dell'arte, Fotografia Europea - Un invincibile estate, by Elena Del Drago, May 2022 (from 11'20")
El Temps de les Arts, Els festivals broten a la primavera, by Zaida Trallero, May 2022
Artribune, Visitare Fotografia Europea 2022 in 5 mostre, by Marta Santacatterina, May 2022
La Repubblica, Segni e sintomi. Un inganno della visione può rivelarci molte cose. Italia in Miniatura come dispositivo della visione, by Jonathan Pierini, May 2022
Babelia, El País, Un paseo por el parque temático italiano de Luigi Ghirri, by Gloria Crespo MacLennan, May 2022
El Temps de les Arts, Matteo Guidi. (Re)moure els murs, by Albert Mercader, Apr 2022
Biennal d’Art Diputació de Tarragona 2021, Donacions, by Carles Guerra, 2021
Eye-framing=OM7, La mirada impune de las estatuas, by Zahira Dehn Tutosaus, Diana Juanpere Dunyó, Jan 2021
El temps de les arts, Fantasma ’77, el llegat de la imatge política, by Aïda Antonino-Queralt, Ago 2020
GIS - Gesto, Imagem e Som - Revista de Antropologia, The artist and the stone: projeto, processo e valor na arte contemporânea, by Roger Sansi, Ago 2020
El Periódico, Lo que cuesta bajar a Franco del caballo, by Nacho Herrero, Jul 2020
Levante, Fantasmas a caballo, by ángeles sanmiguel, Jul 2020
València Extra, El Centre del Carme invita a reflexionar sobre la potencia de la imagen con la exposición «Fantasma '77. Iconoclastia española», by Paula Velázquez López, Jul 2020
Makma, El fantasma de Franco sigue relinchando, by Salva Torres, Jul 2020
ComarcalCv, El Centre del Carme Cultura Contemporània presenta la muestra ‘Fantasma ’77. Iconoclastia española’, by Jimmy Entraigües, Jul 2020
Babelia El País, Muerte y reanimación del monumento, by Ángela Molina, Jun 2020
In media res, Fantasma ’77 Iconoclastia española. Historia y destino de los monumentos de Franco a caballo, by Antonio Ontañon, Apr 2020
Courrier international, Une exposition espagnole explore l’histoire agitée des statues équestres de Franco, by Juan Losa, Mar 2020
Catalunya Radio, Retre Comptes amb les estàtues de Franco, Feb 2020
Bonart #189, Un fantasma a cavall, by Albert Mercadé, Feb 2020
Público, La última cabalgada de Franco, by Juan Losa, Feb 2020
L'H digital, Una Exposició analitza la imatge monumental de Franco, by Laura Alsina, Feb 2020
Journal of Cultural Economy, The artist and the stone: project, process and value in contemporary art, by Roger Sansi, Apr 2019
Interartive # 100 Walking Art / Walking Aesthetics,Tracing a line through a fractured Palestine, from al-Arroub to Bethlehem, by Thayer Hastings, Dec 2018
Surt de Casa, “El projecte no parla només de les limitacions d’un centre penitenciari, sinó de la impossibilitat d’escollir”, by Anna Zaera, Jun 2018
Metal Magazine, Alex Brahim: Arte Comprometido, by Arnau Salvadó, Nov 2017
Remover con una vara de madera, a conversation between Jorge Luis Marzo and Zaida Trallero, 2017
Droste Effect Magazine, Bulletin #12 - Best of 2017, by Vincenzo Estremo, Dec 2017
Rtve Radio 4, Vida verde: alimentos a presión. Una mirada sobre la alimentación atreves el trabajo artístico de Matteo Guidi, by Pilar Sampietro, Jun 2017
B-Guide, The artist and the Stone, by Joan Morey, Oct 2016
A DESK, De la posibilidad de aparecer allí donde no se te espera, by Anna Dot, Jun 2016
Quadern n. 2015 Artivisme, The Artist and the Stone: el pes polìtic de l’art, by Roger Sansi, May 2016
Rtve Radio 3, Mediterráneo: El viaje de Ibrahim Jawabreh, by Pilar Sampietro, May 2016
Indiecolors, Matteo Guidi, by Riccardo Giamminola, May 2016
A Museum of One’s Own, La paradoja del artista y la piedra, by Víctor García Tur, Jan 2016
TV3 - Tria33, L’art i la burocràcia. Dec 2015
Rtve Radio 3, Mediterráneo: ¿Qué queda de las revueltas árabes?, by Pilar Sampietro, Dec 2015
Barcelona TV, Dos artistes italians porten una pedra de 22 tones de Palestina a Barcelona, by Sandra García Prat, Nov 2015
El Punt Avuy, El periple d’una pedra, by Maria Palau, Nov 2015
El País, La piedra viajera y el artista atrapado, by Roberta Bosco, Nov 2015
El Periodico, La Fundación Suñol reflexiona sobre la mobilidad en Palestina by Natàlia Ferré, Nov 2015
La Vanguardia, Una piedra palestina, metáfora de la limitada movilidad de personas, by Itziar Ortega Errasti, Nov 2015
La Vanguardia, Exposición reflexiona sobre la movilidad de personas con piedra de Palestina, Nov 2015
Munchies - Vice, Baking Pizza in Prison is Complicated as You’d Expect by Gianluca Pozzoni, Alberto Mucci, Sep 2015
In Media Res, Con sabor a casa, by Pol Güell Pages, Lorea Sanz del Barrio, Jun 2015
Antiatlas des frontières, The Artist and the Stone, Apr 2015
La Vanguardia, 25 toneladas, by Mery Cuesta, Apr 2015
Polsos en la iconosfera, The Artist and the Stone - video interview, by Maria de Marias, Andrew Colquhoun, Dec 2014
Jornal Arquitectos, Contar o edifício, by MARIANA PESTANA, Dec 2014
Jornal SOL, O renascer dos pedreiros, by Adriana Miranda Ribeiro, Nov 2014
Publico.pt, O futuro vê-se da Cooperativa dos Pedreiros, by Inés Nadais, Oct 2014
TVU. - Universidade do Porto, Technical Unconscious | Artist Talks: Guidi & Racco, by Inês Moreira; Gonçalo Leite Velho, Oct 2014
D La Repubblica, Cucinare in massima sicurezza, by Elisa Poli, Sep 2014
Domus, Ricettario dalla prigione, Sep 2014
La Repubblica, Cucinare in massima sicurezza, una mostra e un libro, by Paola Naldi, Sep 2014
Il Corriere della Sera, Bologna, una mostra racconta la fantasia dei detenuti in cucina, by Peppe Arquaro, Sep 2014
Il Gambero rosso, Cucinare in massima sicurezza: a Bologna arriva la mostra itinerante sul difficile recupero della normalità dietro le sbarre. Anche in cucina, by Livia Montagnoli, Sep 2014
Droste Effect Magazine, The Artist and the Stone: A conversation between Viviana Checchia, Giuliana Racco and Matteo Guidi, by Vincenzo Estremo, Sep 2014
Mirus magazine, Issue #1, Artists without borders. Hangar: A concept Axis of Artistic creation, by Natasha Drewnicki, Sep 2014
Mirus magazine, Issue #1, Cooking in Maximum Security Prison, by Stefan Jermann, Sep 2014
Alfabeta2, Scarole e fagioli, by Alberto Capatti, Jul 2014
Il Manifesto, Il banchetto speziato gioca con la vita e la morte, by Arianna Di Genova, Jun 2014
Una Città, La caffettiera: intervista a Matteo Guidi, by Francesca de Carolis, May 2014
Franzmagazine, Il cibo e l’atto del cucinare, in un carcere di massima sicurezza, by Anna Quinz, Apr 2014
Il Manifesto, “Cucinare in massima sicurezza”: quando il cibo si prepara in un carcere di massima sicurezza, by Silvia Mezzadri, Nov 2013
The Global Urbanist, Tracing a line through a fractured Palestine, from Arroub to Bethlehem, by Thayer Hastings, Aug 2013
Droste Effect Magazine, Cucinare in Massima Sicurezza: An interview with author Matteo Guidi, by Vincenzo Estremo, Jul 2013
Vanity Fair, Non chiamateli avanzi di galera, by Silvia Bombino, May 2013
Radio Capital, intervista a Matteo Guidi, by Betty Senatore e Silvia Mobili, Apr 2013
BIENALSUR 2021, edited by UNTREF (Universidad Nacional de Tres de Febrero), Buenos Aires, 2022
Biennal d’Art Diputació de Tarragona 2021, edited by Diputació de Tarragona, 2021
Biennal de Mislata Miquel Navarro 2021, edited by Ajuntament de Mislata, 2022
Our Garden Needs It’s Flowers, edited by Centre d'Art tecla Sala, L'Hospitalet de Llobregat, 2021
Vint-i-cinc anys de La Capella, edited by Ajuntament de Barcelona Institut de cultura, 2019
Improvisation Rules, edited by Homesession Contemporary Art, Barcelona, 2019
AF.FAIR , Edited by Trama34, Barcelona, 2018
15a BIAM - Bienal d’art ciutat d’Amposta (E), 2018
POLARITATS 2016-2017. Un any de mediació artística, edited by Homesession and Ramon Llull Institute, Barcelona, 2018
Guasch Coranty Award, edit by Valls Museum, 2017
Paratext vol.1, edited by Hangar.org, Barcelona, 2016
Guasch Coranty Award, edit by Valls Museum, 2015